Stargates – Audio and Text

Text

 

by E. Vegh

2006

from TheLivingRoom Website

Self-education is, I firmly believe, the only kind of education there is.
– Isaac Asimov

Scientist, Author

Introduction

I think a future flight should include a poet, a priest and a philosopher. We might get a much better idea of what we saw.
– Michael Collins

Apollo Astronaut

Ancient history is a labyrinth of immense proportions.

Time and distance appears a nearly insurmountable barrier to discovery in many ways. However, weaved throughout the millennia of monuments, megaliths, pyramids and mythological texts, is a thread that bridges the years and allows us to see the events of ancient times with the clarity of hindsight.

This hindsight has only been dimmed in the past few centuries, by the accumulation of “educated” presumptions, no doubt a result of learning from the same text books, the same theories, the same arguments and the same methods. Nothing could be less revealing or more debilitating to discovery.

As a result, this book will deal primarily with fresh and alternative perspectives on old mysteries, taking up that thread through the labyrinth of the ancient past and sharing with the reader, where it leads.

For example, many of the ancient monuments appear to be intimately connected in a surprising number of similar ways. The similarities so far outweigh the differences, that the honest discoverer is compelled to ask: How can this be a coincidence?

The question is answered shortly thereafter, with yet more confirmation of intimacy, found in the mythological and historical texts from that long ago time.

Such texts are the voices of those who built the megaliths, pyramids and ziggurats (or at the very least, assisted in the endeavors), and as such, their words should be afforded the same respect as the towering monuments, themselves.

This book will attempt to allow our ancestors at least that small dignity.

In addition, revealing and uncovering the thousands of similarities between the ancient monuments, lead to new theories and new insights. One such discovery occurred while revisiting an old theme, that of the biblical and Sumerian flood. It appeared a sort of technological and ancestral amnesia had suddenly and simultaneously descended on most of the near, middle and far east, around 3500 BC.

The two eras, pre- and post-flood, had to be clearly delineated so the writings of the ancient past could be best understood. Nowhere was this information more readily available than in the writings of the ancient people of Sumer, Egypt, India and Akkadia. This pivotal moment in history became a reliable anchor and repository of ancient information in an otherwise, overwhelming silence.

What I discovered was nothing short of astounding:

Ancient humans had not only been visited and assisted by the “gods,” they often told their human subjects stories of their arrival to our planet, using terminology their listeners could understand.

They recounted amazing tales through human scribes, tales of technology that would allow them to visit other planets, places and dominions, by simply passing through “gates” or via star-fairing ships.

Our ante-diluvian ancestors also witnessed this astounding technology, technology that today we most closely associate with stargates, wormholes, lasers, cloning, recombinant DNA, space craft, nuclear and teleportation devices.

Then something went terribly wrong.

The flood arrived and the resulting cataclysm laid waste to the earth-based civilizations of the “gods”. When the waters abated, many of the old gods were gone, as well. Their stargates had been swallowed up by the earth, and only scattered remnants of human survivors remained to remember their tales, their deeds and their technology.

At that crucial moment in human history, following the flood, is where we pick up the thread and begin to unravel the mystery of the ancient days of planet Earth. With the help of reverse engineering and comparative analysis, we will attempt to rediscover, together, the old gods and their devices, in their hiding places.

Armed with this new information, it is my hope that the rest of ancient history will begin to take shape for the reader, from an entirely new perspective. Perhaps, what was once a marginally understandable series of fantastic stories from the ancient past, will become crystal clear, startling revelations.

Truth is stranger than fiction.

E.Vegh

January, 2006

 

“Deep Space”

Some consider the phrase, “As above, so below,” to have magical implications.

 

But what if the meaning was, originally, something quite different? What if knowledge of the ancient past has been so entrenched in long forgotten meanings and half-hidden symbols, that we’ve inadvertently misconstrued the interpretation of those symbols?

 

Let’s consider one such symbol: the hourglass shape.

It is the visual embodiment of “As above, so below.”

 

Scientifically, only physics effect its application and change its meaning. It will be a major theme of this book and for good cause: it’s found throughout ancient history, particularly in religious art-forms and almost always in connection with the gods. However, to do the subject justice, we need to start at the beginning.

 

THE BEGINNING…
Once upon a time in the land of ancient Sumer ^[1], in what is now modern day Iraq, there was a city called “Eridu.”

 

It was the first known civilization (to date). It sprung up from seemingly nowhere, having been previously and intermittently inhabited by wandering nomads and hunter-gatherers.

Map of Sumer

It was presided over by the Anunnaki “god,” Enki.

 

He was not only its ruler, he was also its designer and founder. His throne and abode, called the “E.ABZU” or “E.ENGURRA”, was the first ziggurat ever built (to our knowledge) and had several unique features, frequently overlooked by readers of the ancient Sumerian texts. For example, it was made of silver “bricks,” covered in gold, produced roaring sounds, and its walls could talk and offer advice.

 

And, if that weren’t enough, it could also float on the water and hover in the air!

 

Observe the following quotes from “Enki and the World Order“:

An artfully made bright crenellation rising out from the abzu was erected for lord Nudimmud. Enki, the lord who determines the fates, built up his temple entirely from silver and lapis lazuli. Its silver and lapis lazuli were the shining daylight. […]

Your door is a lion who {seizes a man} […]

Its brickwork makes utterances and gives advice. […]

He built the temple from precious metal, decorated it with lapis lazuli, and covered it abundantly with gold. […]

As it has been built, as it has been built; as Enki has raised Eridug up, it is an artfully built mountain which floats on the water. ^[4]

Samuel Noah Kramer, an assyriologist who was the first to translate many of the Sumerian texts, said in his book “Enki Builds the E-Engurra“:

The lord of the abyss, the king Enki, Enki the Lord who decrees the fates, Built his house of silver and lapis lazuli; Its silver and lapis lazuli, like sparkling light, The father fashioned fittingly in the abyss.

[…]

Then Enki raises the city of Eridu from the abyss and makes it float over the water like a lofty mountain.

This would all seem harmless enough, were Enki’s story a fairy tale about a fictitious place.

 

But in fact, it was quite real. Eridu was a real city in ancient Sumer, and Enki’s E.ABZU was a real… building (that apparently defied the laws of gravity in 4000 BC!).

 

Obviously, a “building” made of silver and covered with gold, would sink immediately (if not sooner) and therefore, could not float on the water or above it, for that matter. Alas, this amazing feat of architectural (or mechanical) engineering has vanished, being either a victim of the Mesopotamian flood, the vengeance of God, thievery, the spoils of war, or has long since launched itself into space (why not? It could do everything else!)!

Equally unusual was Enki’s boat, which apparently needed no oars:

“The ship departs of its own accord, with tow rope held (?) by itself” ^[2] and it gurgles as it moves down the river.

Yes, this Enki sure is an interesting character, isn’t he? And we’re just getting started!

By far the most mysterious of Enki’s properties was the “ABZU” (also called “Apsu”). The ABZU was underneath the E.ABZU when it was on dry land, that is, it was a subterranean chamber under the spot where Enki parked his ziggurat in Eridu, a basement of sorts.

 

Enki and the other “gods,” frequently met there to discuss important matters. Oddly enough, it’s also referred to as an underground chamber of “sweet” or “fresh” water, a water vessel for temple rituals, the abyss, the bottomless pit, the deep, and in the Enuma Elish, Abzu was a god from which the gods and sons of god, emerged.

 

All these concepts don’t appear to have much in common on first glance, but they actually apply to different aspects of the ABZU, which is why it has been so terribly misunderstood as an ancient symbol.

Note and remember for future reference, that Samuel Noah Kramer had already translated the word Abzu to be Abyss, meaning that the Abzu and the Abyss were one in the same. In fact, it is my contention that the word “Abzu” was the etymological origin of the word “Abyss.”

 

Thusly, Enki’s E.ABZU, his E-ENGURRA, his ziggurat, rose up out of the Abzu, already completed, and floated above the water.

 

Mainstream assyriologists assume the Abzu was in fact a reference to underground rivers of fresh water. However, were this the case, it couldn’t very well be the ocean. Assuming the Abyss or the Abzu are references to the ocean is, therefore, in direct contradiction with the ancient Sumerian texts. The fresh water and salty water are not interchangeable.

Keep in mind, that the ancient past has been foraged from for millennia, to uphold various religious or non-religious positions, which by necessity, requires some descriptions be virtually ignored, while favoring others. But let’s see what happens when all the descriptions are applied and the symbols are re-interpreted as an integrated whole. To achieve this with the ABZU references, we also need to incorporate related, associated symbols.

 

One such association is the dragon or “Tiamat.”

Tiamat also had the distinction of several different descriptions that seem totally unrelated. In the ancient texts it was referred to as a dragon, a monster, the salt water ocean or sea, the water of chaos, a goddess of birth, a constellation, and the gods and sons of god, also emerged from it. ^[3]

 

Some pick only the dragon definition to elaborate on, while others choose the water of chaos, the ocean salt water, or the birth goddess. And still others, assume Tiamat and Abzu are one in the same. And, they are all correct! Each of those definitions do indeed fit Tiamat, although it isn’t the “Abzu” (or vice-a-versa), specifically, it does merge with the Abzu and even says as much in the ancient texts.

 

Allow me to explain:

You see, the ABZU was an entrance to another place or many other places. It was a subterranean gate, apparently filled with swirling water, like a whirlpool. In the following excerpts, notice the gate is a conduit between the earth and heaven.

 

Some believe that it simply meant the top of the Ziggurat was heaven and the bottom of the Ziggurat was the earth, but that doesn’t fit with the rest of the information, especially the references to the gate connecting the “holy shrine” in the depths of the “sea” (a misunderstanding of “ABZU”, which was also known as the “abyss”) and the Field Constellation:

Your great house is founded in the Abzu, the great mooring-post of heaven and earth. […]

The lord established a shrine, a holy shrine, whose interior is elaborately constructed. He established a shrine in the sea, a holy shrine, whose interior is elaborately constructed. The shrine, whose interior is a tangled thread, is beyond understanding.

The shrine’s emplacement is situated by the constellation the Field, the holy upper shrine’s emplacement faces towards the Chariot constellation. ^[4]

It was a doorway of sorts, a gate to the “netherworld” which was in reality, a gate to outer-space, and it had at least one exit somewhere by the constellation “The Field” (possibly a reference to the Great Square of Pegasus – more on that later).

 

It was the access point to Enki’s meeting chamber and at least one of his very special throne rooms.

However, every entrance or exit, needs a hallway in order to get from point A to point B, and that’s where Tiamat comes in. Tiamat is the pathway through the hourglass. It embodies the application of “As above, so below,” the figure eight ouroboros and the infinity loop. In short, Tiamat was a wormhole connected to the ABZU, which was the gate of the wormhole.

 

The two “waters”, salt and sweet, merged at the gate, creating a swirling vortex, the watery chaos of Tiamat.

And I quote:

Your door is a lion who {seizes a man} […]

With such a connection to the Earth, the gods and sons of god, could literally emerge from the ABZU, be “born” from it.

 

It would appear as if the ABZU were giving birth from the birth canal of Tiamat’s swirling waters. These are the “primeval” waters from which the prototype, primeval mound (Enki’s E.ABZU), arose.

 

This is also the origin of the belief that an interdimensional gate is opened via sex magic: The ziggurat or pyramid (and later, the obelisk and benben) representing a phallic symbol and the Gate and Tiamat, representing the vaginal opening and birth canal.

So, let’s review what we know about Tiamat, so far:

1. Tiamat as a dragon, referencing that it’s a wormhole, an ouroboros pathway.

2. Tiamat as “salt water ocean” merging with the freshwater ABZU, the two waters combining in a swirling whirlpool at the ABZU gate entrance.

3. Tiamat as the water of chaos, referencing the whirlpool formed at the ABZU gate connection to the wormhole.

4. Tiamat as a goddess of birth, referencing the emerging of the “gods” from the wormhole through the ABZU gate.

5. Tiamat as a constellation, referencing the wormhole connection to a place near the “Field Constellation.”

Tiamat?

Before you toss out the idea as ludicrous, consider that Enki’s E.ABZU “ziggurat” (if you can really call it that), was entirely made of metals, talked, floated, hovered, made “roaring” sounds, glowed so brightly it lit up the area, had an interior that was,

“a tangled thread beyond understanding,” had a door that “seizes a man”, was connected to the Field Constellation, and gave advice!

This was not an ordinary ziggurat, in fact, it was one of the first prototypes for all subsequent ziggurats, after the flood. However, the subsequent buildings did not have interiors that were “tangled threads beyond understanding!”

 

Let’s look at the picture again:

Enki’s Ziggurat

Do you notice anything unusual about the shape of the ziggurat? If not, allow me to point out a few things:

It was the prototype for not only later ziggurats, it was also the prototype for earthly “thrones” of glory, such as the throne of the Emperor of China:

The Golden Dragon Throne

This leads us to the next question: so why and how would the god Enki build a space craft in ancient Eridu? From the textual evidence, it doesn’t appear as if it was built in Eridu, but rather it came out from somewhere in the ABZU.

 

It was already “built” when it rose out of the ABZU, and I quote:

“An artfully made bright crenellation rising out from the abzu was erected for lord Nudimmud.” ^[2]

It simply rose up from the ABZU and planted itself on the spot. It “landed.”

 

Samuel Noah Kramer also describes this event, saying,

“Then Enki raises the city of Eridu from the abyss and makes it float over the water like a lofty mountain.”

It could be argued that the story is really just referring to the construction of the building, “rising” up as it was being built.

 

If such is the case, he apparently built it from a model of something else he was intimately familiar with and endowed it with some technically advanced features, considering the time frame!

 

After all, how many of the post-flood ziggurats were composed “entirely of silver” (those bricks weren’t just glazed with silver, they were “entirely” silver, covered with gold) and could “float?”

 

Answer: none, as the post-flood ziggurats were simple mud brick constructions, crude copies of the original, which appears to have been a spacecraft and water-going vessel of glowing metals!

And, this is just the beginning!

 

Now, let’s look at the technological aspects of the ABZU’s counterpart, the dragon or Tiamat…

Footnotes

1 – Ancient Sumer was the first civilization on the planet (to date). It was ushered in by the Anunnaki, who taught the people music, the sciences, astronomy, languages (both spoken and written), mathematics, herbology, manipulation of the environment, hybridization of crops, genetic manipulation of livestock, religion, sexual promiscuity, war, mining for resources, jewelry-making, tailoring, blacksmithing, architecture, art, poetry, human sacrifice, and the whole gamut of “civilized behaviors.”
2 – Enki’s journey to Nibru: translation, The Electronic Text Corpus of Sumerian Literature. Black, J.A., Cunningham, G., Ebeling, J., Flückiger-Hawker, E., Robson, E., Taylor, J., and Zólyomi, G., The Electronic Text Corpus of Sumerian Literature (http://etcsl.orinst.ox.ac.uk/), Oxford 1998
3 – “Tiamat.” Encyclopedia Mythica from Encyclopedia Mythica Online. [Accessed February 24, 2006].
4 – Enki and the world order, Black, J.A., Cunningham, G., Ebeling, J., Flückiger-Hawker, E., Robson, E., Taylor, J., and Zólyomi, G., The Electronic Text Corpus of Sumerian Literature (http://etcsl.orinst.ox.ac.uk/), Oxford 1998- . The Electronic Text Corpus of Sumerian Literature

 

“The Dragon on His Throne“

You cannot teach a man anything; you can only help him discover it in himself.
– Galileo Galilei

A Wormhole

Consider this quote from the ancient text entitled, “Enki and the world order“:

“Grandiloquent lord of heaven and earth, self-reliant, father Enki, engendered by a bull, begotten by a wild bull, cherished by Enlil the Great Mountain, beloved by holy An, king, mec tree planted in the Abzu, rising over all lands; great dragon who stands in Eridug, whose shadow covers heaven and earth, a grove of vines extending over the Land, Enki, lord of plenty of the Anuna gods, Nudimmud, mighty one of the E-kur, strong one of heaven and earth!

Your great house is founded in the Abzu, the great mooring-post of heaven and earth” ^[1]

The mec tree planted in the ABZU.

 

A grove of vines rising over all the lands. The great mooring-post of heaven and earth.

 

Obviously, this is not referring to a simple ziggurat, and isn’t it amazing that it also embodies “As above, so below?”

Notice how, in this particular tale, Enki is referred to as the “great dragon?” Was he literally a dragon? Perhaps, in a manner of speaking, he was. But remember, later, Tiamat would also be called a “dragon,” who connected a place in the “Field” constellation ^[1a], to planet Earth.

 

Since Tiamat was part of the “star-gate” system at Enki’s E.ABZU, of which he claimed ownership, it seems likely that he was simply being referred to, in a dramatic way, as the owner of said property.

 

After all, he wasn’t literally a wild bull or begotten by a wild bull and yet, that’s exactly what’s indicated in the texts. Rather, he was called the Great star-gate, the Great Tiamat, the Great Wormhole, the Great Dragon, symbolically, as its owner and operator.

 

Of course, he may have also been from a race of extra-terrestrial beings who appeared rather “Reptilian“.

It might be pertinent to mention here that a specific group of angels, in the biblical texts, called “Seraphim,” were serpent-like in appearance. Several authors have noted textual similarities between Enki and the biblical Satan, the “Serpent” or “Seraph” in the Garden of Eden. So it is possible the reference to Enki being the “great dragon,” may have more than one application.

 

For example, it’s no small coincidence that Enki as the biblical Satan is, in this metaphor, a “dragon” or “serpent” in the “tree.”

Also consider that the great dragon “stands” in Eridu(g) like the “mec tree,” which is likely a reference to the wormhole with all its “branches”, a grove of vines rising over the lands and also buried in the earth beneath the E.ABZU, like the root system of a huge tree.

For example, reconsider the opening image on this page:

A Wormhole

How similar it looks to a tree with its branches spreading across the heavens and roots digging into the earth.

Still skeptical? Don’t believe in the scientific possibility of wormholes?

 

Allow me to provide evidence for your consideration:

Wormholes or white holes, are shortcuts, connecting distant points in space-time. Mechanically, they appear as double-ended, whirling vortexes, flared at each end and embody the hourglass shape:

Over the last few decades, there has been quite a bit of debate over whether such a wormhole is physically possible. The amount of energy to sustain it, physicists argued, would be too immense and the passageway would collapse on itself in micro-seconds.

 

However, in the last 5 years, the original arguments have been met with new findings, such as this one, reported in BBC News on April 12, 2000:

According to Sergei Krasnikov of the Pulkovo Observatory in St Petersburg, the new wormhole can create its own abundant supply of exotic matter. This way, the wormhole would be big enough and could stay open long enough for people to use.^[2]

“What’s new is that this wormhole actually generates enough to make it arbitrarily large,” says Krasnikov who works at the Laboratory of Stellar Physics.

In 2005, a new argument arose against practical wormhole usage, but was immediately contested:

Calculations by the Oregon researchers show a wormhole that combines exotic matter with semi-classical space-time would be fundamentally unstable.

“We aren’t saying you can’t build a wormhole. But the ones you would like to build – the predictable ones where you can say Mr Spock will land in New York at 2pm on this day – those look like they will fall apart,” Dr Hsu said. […]

However, there is still support for the idea of traversable wormholes in the scientific community. One physicist told BBC News there could be problems with Hsu’s and Buniy’s conclusions. […]

“Violations of the null energy condition are known to occur in a number of situations. And their argument would prohibit any violation of it,” the scientist commented. […]

The underlying physics of wormholes was not in doubt, the researcher argued. The real challenge was in explaining how to engineer wormholes big enough to be of practical use. ^[3]

So, theoretically, the traveler enters one end of the vortex and emerges on the other end.

 

Another way to represent it is like this:

Notice how it’s flared at both ends and thinner in the middle, which is called the “throat” of the wormhole (the throat or neck of Tiamat is usually depicted much shorter in length, but represents the distance between one point and another, or rather, between one star-gate and another).

 

Turned on end, it takes on the characteristic shape of the hourglass, the “As above, so below” symbolism, and the mec tree of the great dragon.

Marduk of Babylonian fame, invited the gods to visit him in Babylon, his “Gate of the Gods,” as they employed the gates between earth and heaven. It is believed he was partially quoting earlier stories about the ante-diluvian gods, as he had also absorbed their tales and activities, claiming them to be his own exploits.

 

It is also believed, per the biblical accounts of the flood, the Tower of Babel, and the bottomless pit of Revelation 9, that the star-gate or bottomless pit entrance at Eridu has been buried for thousands of years. If it has been dug up since then, it isn’t likely that the general public would be made aware of it.

All these ante-diluvian symbols of Anunnaki technology, became religious icons, religious buildings and religious symbols following the flood. The mec tree or wormhole of the great dragon became the sacred tree on the temple grounds of Mesopotamian temples. In essence, the Tree containing the Serpent in the Garden, had been immortalized on the sacred grounds of the temples of Akkadia and Babylon without the people ever fully realizing its meaning.

 

The ABZU or stargate, became the primeval waters symbolized in the sacred pools or sacred water receptacles for ritual bathing in temples in the near and middle east. Enki’s floating, speaking and flying palace, called the E.ABZU, became the model for ziggurats, pyramids and earthly thrones of power.

 

And the hourglass shape, which defined the shape of the dragon, the wormhole and Tiamat, became a symbol for the power of the holy mountain, the power of the ziggurat and pyramid.

However, of special note is the hourglass symbolism represented by “Mt. Sumeru” or “Mt. Meru,” of ancient Hindu and Buddhist history, which is depicted as a mountain formed in an hourglass shape. According to the mythology surrounding it, Mt. Sumeru has its roots in hell and its upper reaches in heaven.

 

Upon the death of Buddha, it is said that Mt. Sumeru was broken in two at the intersection between the two triangles of the hourglass, breeching the connection between its upper, heavenly levels (the upper, downward pointing triangle) and the earthly levels (the lower, upward pointing triangle).

 

In effect, the wormhole had been severed at the throat, the dragon Tiamat had been slain, cut off at the neck or cut in half (an event further elaborated on in the Enuma Elish), the bottomless pit had been rendered useless and buried.

Enki’s “star-gate”, however, was not the only one. In fact, his Sumerian brother, “Enlil,” also appears to have had his own “Abzu”, which is the subject of the next page!

* (Note: For further clarification on this topic, read The Enuma Elish and the free e-book, The Anunnaki and the Abyss.

Footnotes

1   – Enki and the world order, Black, J.A., Cunningham, G., Ebeling, J., Flückiger-Hawker, E., Robson, E., Taylor, J., and Zólyomi, G., The Electronic Text Corpus of Sumerian Literature (http://etcsl.orinst.ox.ac.uk/), Oxford 1998 – The Electronic Text Corpus of Sumerian Literature
1a  – Enki and the world order, Black, J.A., Cunningham, G., Ebeling, J., Flückiger-Hawker, E., Robson, E., Taylor, J., and Zólyomi, G., The Electronic Text Corpus of Sumerian Literature (http://etcsl.orinst.ox.ac.uk/), Oxford 1998- . The Electronic Text Corpus of Sumerian Literature

2  – “Wormholes take on a new dimension”, BBC News, April 12th, 2000.
3  – Paul Rincon,”Wormhole ‘no use’ for time travel”, BBC News, May 23rd, 2005.

 

“The Heaven-Earth Bond”

Somewhere, something incredible is waiting to be known.
– Carl Sagan

In the Sumerian city of Nibru (Nippur), Enki’s brother Enlil held court. He also had a marvelous construction called the E.KUR, which is depicted in the Sumerian text, “Enlil in the E.KUR.”

 

As in the case of Enki’s “E.ABZU,” the E.KUR was quite an unusual construct.

 

For example:

He has taken up residence in Nibru, the lofty bond between heaven and earth. […]

The front of the city is laden with terrible fearsomeness and radiance. […]

Its brickwork is red gold, its foundation is lapis lazuli. […]

Its interior is a wide sea which knows no horizon.[…]

Its fearsomeness and radiance reach up to heaven, its shadow stretches over all the foreign lands, and its crenellation reaches up to the midst of heaven.[…] ^[1]

In modern terms, this building has several surprising features!

 

It is a bond between heaven and earth. It features a radiant facing or cover, which reaches up to heaven, like some ancient force-field. It’s made of, or the color of, red gold with a blue foundation. And for the clincher, the inside of it is a “wide sea which knows no horizon”!

 

That’s certainly an interesting way of describing an Abzu star-gate – a wide sea which knows no horizon. Of course it knows no horizon, after all, it’s a star-gate not the sea!

To further signify its connection to the Abzu as an underground star-gate chamber, consider the following quote from “Enlil in the E.KUR”:

Enlil, holy Urac is favored with beauty for you; you are greatly suited for the Abzu, the holy throne; you refresh yourself in the deep underworld, the holy chamber. ^[1]

Apparently, the word “Abzu” was used interchangeably for all the subterranean star-gate chambers. In fact, this very thing is depicted in ancient Egypt!

 

Few realize that the ancient Egyptian city name of “Abydos” is in fact not an Egyptian word at all. It’s Greek.

 

The Egyptian word for it is “Abdju,” pronounced “Abzu”, as described by Peter Goodgame in his book, “The Giza Discovery”:

One of the first important cult centers for the invaders of Egypt was a place which came to be known by the Greeks as “Abydos.” However, the Egyptian name is better represented as “Abedjou” or “Abdju.”

The sound “dj” is often simply given as “z,” such as in the common rendition for the Step-Pyramid of Djoser as “Zoser.”

With this in mind we find that Abydos=Abdju=Abzu, which directly equates with the cult center of Enki known as the Abzu in Eridu.^[2]

As a result of this discovery, the next logical step was determining where the subterranean star-gate chamber was in ancient Abydos (Abzu), Egypt. And one need not look far to find it. It’s called the “Osirion” and its archaeological history, since its discovery, has been shrouded and emerged in controversy (as you can well imagine!).

 

After all, “Abzu” was a Sumerian concept and word, and yet here it is in one of the earliest cult cities of ancient Egypt.

Anyway, we find that Enlil was also in possession of a star-gate and an Abzu chamber to put it in. The name of his chamber and star-gate, however, was not simply Abzu, it was additionally called the “Dur.Anki”, the “Heaven-Earth Bond.”

 

It also spread its shadows across the heavens, across the foreign lands. It also reached up to heaven from beneath the earth, as is indicated in its name as the “heaven-earth bond”, also known as the bond of the universe (heaven and earth).

The argument that the heaven-earth bond was simply a reference to the E.KUR being high enough from which to observe the heavens, is rather weak in the face of the surrounding evidence, such as the mountain ranges and cliffs in the vicinity of Enlil’s E.KUR. Certainly any nearby mountain would be much closer to “heaven” than a ziggurat construction.

 

As a result, I find such arguments sorely lacking in validity in the face of the data regarding the terrain and the geographical setting of this ancient structure. In short, the heaven-earth bond, is simply that, a bond of some sort between heaven and earth! In fact, it harkens back to the opening concept of “As above, so below.”

 

Remember, Mt. Sumeru of the ancient Hindu and Buddhist texts, which was likely named after the E.ABZU or E.KUR of Sumer, was a connection between the depths of the Earth and the heights of the heavens – clearly indicating it to be some kind of portal of travel.

So, what, you might ask, happened to these Sumerian star gates? Find out in the next chapter, “The Akkadian Connection!”

Footnotes

1 Enlil in the E.kur
2 The Giza Discovery: Part Five, The Spirit World and Civilization-The Egyptian Connection

 

“The Tower of Babel and The Fertility Gods”

One possible geometry for such a wormhole is to assemble stellar amounts of energy in a spinning ring (creating a Kerr black hole). Centrifugal force prevents the spinning ring from collapsing.

Anyone passing through the ring would not be ripped apart, but would wind up on an entirely different part of the universe.
– Michio Kaku

Osiris ^[1]

Footnotes

1 Ancient Egypt – KingTutOne.com a Resource Center for Ancient Egypt

 

 

 

by Dawn Abel

September 2005

from MayaMysterySchool Website

 

 

A number of important cosmological communications have occurred over the last quarter century and will continue to occur over the next seven years and into the second quarter of the 21^st century. This involves messages coded to reach the public conscious either originating or vibrating with a number of strategic stargates.

 

These stargates are aligned with each other in such a way to support the manifestation of a new heaven on Earth.

 

At the end of this period there will be a genetic manifestation or birthing of new female energy known by its 13-strand DNA; an event and physiological occurrence that has been compromised and suppressed for the last 3600 years, but which can no longer be contained.

 

 

 

 

Arcturus

The first of these messages began coming frequently about ¼ century ago from the stargate Arcturus and picked up momentum around the time of the Harmonic Convergence.

 

Arcturus was referred to by Edgar Cayce as:

“one of the most advanced civilizations in this galaxy. It exists in fifth-dimension and is the prototype for Earth’s future. Its energies work as emotional, mental, and spiritual healers for humanity.

The star is also an energy gateway through which humans pass during death and re-birth. It functions as a gateway station for non-physical consciousness to become accustomed to physicality.

Arcturus is a stargate through which souls pass, to choose whether to return to the Earth-sun system, or evolve to others.”

J.J. Hurtak in Book of Knowledge: Keys of Enoch, wrote,

“Arcturus is the midpoint between the Earth and other higher levels of consciousness. It is the governing body for our universe which determines the spiritual progress of humanity.

Arcturus is the first docking station that allows us to travel beyond our consciousness. Humans whose coded DNA has been activated by the keys will be taken up through Arcturus before moving on to other levels of creation.”

Arcturus is home to the most ascended of beings known as the White Brotherhood of Light.

 

Its master is Sananda, also known on this Earth plane as Jesus, “the son”. It is the Arcturians who are supposedly responsible for the crop circle phenomenon in England. The Arcturians communicate using frequencies and harmonics, and the crop circle signatures are currently ascending the harmonic scale. The Arcturians have been doing this for hundreds of years.

However, it has only become a public phenomenon since the mid 1980s when a major influx of crop circles began to catch the attention of a group of field researchers, which then set the world “on fire” (chakra activation).

 

According to Freddy Silva in Secrets in the Fields, by 1988 hundreds of crop circles had been documented and researched. This was actually the end of the “formative years” of crop circles, when most people were unaware of their presence. Suddenly, interest skyrocketed and they started to “catch on”.

 

This was also around the time of the Harmonic Convergence. Every year since then,

“they have grown exponentially, always developing and splitting in structure as if suggesting some sort of language, more complex as the years progress…”

According to the Arcturians, there are 12 frequencies that correspond to our evolving 12-strand DNA.

 

And then there’s a 13^th that corresponds to the most powerful and purest vibration of universal love and compassion. Our body’s seventh chakra (crown chakra) connects us to the previous six chakras in our body and to the Earth. Then an eighth chakra, about 12 inches above the crown, allows us to connect to a higher plane of consciousness.

A ninth chakra, approximately two feet from the body, connects with the sacred gridwork of the Earth. A tenth chakra aligns with the solar system, an eleventh with the galactic center, and a twelfth with our physical universal.

 

A 13^th chakra aligns with the super-galactic center that is a gateway for the most ascended of masters and for the purest energies of the heart associated with the divine Mother and universal love. The Great Hindu Mother Ammachi is currently manifesting this energy in the physical and is a forbearer of the new energy to follow.

When you activate the 8^th chakra, you gain the ability to explore higher consciousness. When you activate the ninth chakra you can make contact with higher beings or guides who are still working in other frequencies on the Earth plane such as the ancient Mayas, Incans, Egyptians, and Tibetans.

 

According to Silva, the crop circles manifested a new nine-strand frequency in the summer of 1999 awakening even more people to the Earth’s final preparation for birthing a new consciousness.

“As the new codes of energy imprint themselves upon the crystalline structures of the Earth, changes within her will trigger systems in the body to follow suit because the human energy field seeks to maintain its umbilical connection with Earth Mother… Such an effect is also seen in the way the structures of crystals realign when subjected to a new frequency.”

A coiledserpent, (symbolizing activated chakras ready to release a pent-up energy) was also spotted in the crops that year.

When you activate the tenth chakra you can make contact with entities beyond the planet but in this solar system – those who have shared some human characteristics but are also part alien. When you activate the eleventh chakra you can make contact with Sirians, Pleiadians, and the Arcturians.

 

When activating the twelfth chakra, you can contact the Arcturians as well and also the higher level beings such as those who are tasked with the ascension of humans and the evolution of our galaxy. These ascended masters include the White Brotherhood. The 13^th chakra activates the super-galactic center, home of numerous galaxies and universes where the Galactic Federation works from and where the female energies associated with universal love and fellowship manifest.

The messages coming from the Arcturians in the form of crop circles, right now, are raising our frequency and rewiring DNA to receive a strong dose of right-brain female energies to balance the left-brain dominated male energies.

 

The Arcturians are helping us to activate and align our 12-strand DNA (corresponding to the 12 chakras) with the energies of their midway command station in the Universe, so that we can prepare ourselves for the new 13-chakra female energy that the new Earth will soon be birthing and eventually become junior members of the Galactic Federation.

 

 

 

Galactic Center

Another series of stargate messages occurred only recently: December 19, 2001, December 18, 2002, and December 17, 2003.

 

Those were the dates that Lord of the Rings opened to the public in movie theatres; also dates that currently fall within one to two degrees of the galactic center at 27 degrees Sagittarius. Those were the days of the first series of conscious cosmic alerts to the public from the Milky Way galaxy’s Mission Control Center.

 

It was a bold message of what will transpire over the next 10 years, as we watch the battle for the new Earth unfold and a new sun king (or son king) take his place who will help birth the new cosmic energy for the new age.

 

 

According to the Maya, the galactic center represents the ascension of “the king.” John Major Jenkins explains this further in Mayas Cosmogenesis 2012:

“The cosmic center is the Galactic Center, identified by the nuclear bulge – the womb of the Milky Way mother toward which the ‘sun king’ precesses. This precession reveals the king’s slow procession to ultimate enthronement in the heart of time and space.

But for the sake of kingship in local space-time, he makes an initiatory vision journey into the celestial heart to be anointed and given the power of rulership and sacred knowledge.”

This was the first series of messages to come out of the Galactic center for the alert public to interpret.

 

The Lord of the Rings dealt with the transformation of evil through love, compassion and humility. It was a message about life and death, and the awakening of brotherhood among humanity. The “sun” or “son” king dispersed the dark and brought light to the planet. The female power who was behind this birth was Arwen, the fairy queen.

 

She mated with the new king and merged the cosmos and Earth energies to birth a new kingdom on Earth.

• How will this transformation actually manifest on Planet Earth?

• As the sunking unites with the womb of the Milky Way, who will the mother bring forth to save us from ourselves?

• Our last savior manifested in a male body because it was far easier for a male to influence the masses; will it manifest this time in a female body?

 

 

 

The Galactic Precession

According to Jenkins, the ancient Mesoamerican astronomers used two different methods to track precession.

 

The first was pioneered at the early Maya site called Izapa, and involved the slow precession of the solstice sun into alignment with the bright band of the Milky Way galaxy.

 

The alignment of the December solstice sun with the center of our Milky Way galaxy culminates in the years around 2012-coinciding with the 13-baktun cycle end-date.

 

The solstice-galaxy alignment was conceived as the union of the male principle (December solstice sun) with the female principle (the Milky Way’s center). The region of the Milky Way that the solstice sun will unite with contains not only the nuclear bulge of the Galactic but also a “dark-rift” feature caused by interstellar dust.

 

The modern Maya call this dark-rift or Great Cleft the xibalba be – the Road to the Underworld. This feature is the key to understanding the rebirth metaphor of the 2012 end-date, for it was also conceived, in Maya symbology, as the birth canal of the Great Mother (the Milky Way).

 

The sun is reborn daily at dawn, yearly at the December solstice, and, in terms of World Ages, on December 21, 2012-when the December solstice sun aligns with the Galactic Plane, which is the precession cycle’s “finish line.”

 

 

 

The Pleaides and Alcyone

In coordination with the galactic precession, the Mayas also look at the precession of time through the Pleiades.

 

Alcyone, the central star of the Pleiades, is located at 30 degrees Taurus near the constellation Orion. Alcyone, in Taurus, represents the Earth Goddess. The lessons from Alcyone are those dealing with compassion, higher wisdom and vision, and Earth consciousness.

 

Much has been channeled from the Pleiades.

 

 

Alcyone figures prominently in Mayan astronomy.

 

The Mayas believe it is the home of their ancestors. The Pleiades star system is referred to as the seven sisters and our sun aligns with Alcyone every 52 years. In Mayan cosmology the precession of the Pleaides is tracked using the Calendar Round (52 years) and the New Fire ceremony.

 

This tracking system was developed at Teotihuacan in Central Mexico around 150 AD, however, according to Jenkins, it is at the Pyramid of Kukulcan at Chichen Itza that we find the significance of the upcoming shift of the ages.

Without going too much into a technical explanation, the solar zenith-passage date at Teotihuacan, was and still is May 17^th, but the Mayas calculated a date for the latitude of Chichen Itza for the 21^st century, when this passage occurs every May 20^th (beginning May 17th and ending May 23^rd).

 

This is important because in the 21^st century May 20^th aligns with a sun/pleiades conjunction that, due to precession, moves forward in the zodiac by one degree every 104 years (Two 52-year cycles.)

 

This united sun-Pleiades conjunction has moved toward the exact center of the midnight sky. Jenkins continues that “the united sun-Pleiades symbolize the serpent-bird deity Quetzalcoatl known to some as the Christ.” The Christ is also known in many cultures as the “son” or “sun”.

 

Like the solstice-galaxy alignment, this sun-Pleiades-zenith alignment is tied to the endtime prophecies.

 

 

 

Star Codes at Chichen Itza

During the March equinox, people from around the world attend a cosmic ceremony and ritual at Chichen Itza.

 

They watch a “shadow-serpent” slither down the stairs of the northern balustrade of the Pyramid of Kulkulcan. For those who are in tune, it produces a “rush.” The serpent hasseven coils, with an imaginary eighth forming at the top of the pyramid.

 

The Mayan word for a snake’s rattle and the Mayan word for the Pleiades is the same. To continue, Yucatec rattlesnakes have a three-dotted signature circle formation near their rattles. A number of scholars have interpreted this insignia to be a solar ahau face, a symbol of the sun.

 

According to Jenkins,

“when the serpent shadow appears, the snake’s tail pierces the temple on top of the pyramid (the fifth, central direction-the zenith direction) and then it points up into the center of the sky. Since the rattle is called tzab (Pleiades) and the three-dot ahau face design is the sun, the symbolism states unequivocally: sun and Pleiades in the zenith.

This May 17^th – 20^th Pleaidian alignment, as encoded by the shadowed appearance of the snake and his rattle during the equinox, along with the 2012 galactic alignment, also encoded at Chichen, occur in the 21^st century.”

So now that we know that all of these stargates deal with the “endtimes” or death/rebirth transitions, what is the public message of the Pleaides at this time? And what has the serpent to do with any of the messages that have come from the crop circles, the galactic center, and the Pleaides?

 

The serpent as seen on the medical symbol, the caduceus, represents the human DNA strands and 7 chakras (Pleaidian seven sisters) before they move into the extended octave or higher-consciousness 8th chakra.

 

The serpent also represents esoteric knowledge: that which is hidden from view and must be understood before our extended chakras can be activated. Once activated, it allows us pursue contact with the 9th chakra energies such as our ancestral guides and also signifies the “rooting” or birthing of a new cosmic vibration on Earth.

On May 17^th, 2006, at the beginning of the sun-pleaides zenith alignment – heralded two months earlier by the March equinox shadow serpent at Chichen Itza – The Da Vinci Code will open for public consumption.

 

The message coming through on the week that our sun and Alcyone are conjoined, is that the female energy, which has been suppressed and subjugated for so long, is ready to forge its way through the serpent birth canal and take root in her rightful place as heir to Christ’s kingdom.

 

The reactivation of Mary Magdalene and the codes that she held – which were brutally repressed by the Catholic Church – when merged with the Galactic Center events, will birth this new energy.

 

At some not too distant time in the future, after we have activated all of the 12 chakras (full harmonic scale), this new female energy will fully manifest to help us activate a 13^th chakra that will be our coded card key into the galactic community.

 

 

 

God’s Handiwork

These public messages are neither coincidental nor quirks of imagination.

 

Aside from the endtime (death/rebirth) alignments and messages, if you look at the alignment between the three stargates –

• Arcturus (higher consciousness/life-rebirth – 24 degrees Libra)

• the Galactic Center (serpent birth canal – 27 degrees Sagittarius)

• Alcyone (female energies – 30 degrees Taurus)

…they form an astronomical configuration called a Yod, or Finger of God, with the finger extending or manifesting at Alcyone in the Pleaides.

What exactly is a Yod? It is a triangle resulting from two quincunxes (at 150 degrees each) linking two sextile planets (60 degrees apart) to a third. When dealing with planets, the degrees that make up this configuration must be concisely 150/150/60 degrees apart but in galactic space, a quincunx can have up to 8 degrees of variation and a sextile up to three.

 

By definition, a Yod is the handiwork of indefinable and omnipresent forces of fate that can only manifest through unconstrained stress.

 

The opposing force or “stressor” of the 30-degree Taurus finger is 30- degrees Scorpio (sign of the serpent), also known as Asclepius for those who practice Hindu astrology. This is the trigger point where the new female energy is being forced through the “serpent” birth canal.

 

Because it’s moving out of the serpent (Scorpio) into the archer (Sagittarius), it is on the verge of being birthed and shot into cosmic consciousness! Gemini (the communicator), at the cusp of the Taurus finger, is focusing the message!

Yod, in astrology, means fate. It cannot be controlled, manipulated, changed or stopped because it is coming from deep within the subconscious and the collective unconscious. The tension it creates must eventually be realized to be resolved, usually through subconscious symbolism. So we are dealing with directives or messages that are coming from outside the rationale mind, which are creating tension until finally the tension breaks and the constrained energy is released.

The messages that are currently being released from these aligned stargates are symbolic displays meant for the public to decipher and not just for the amusement of a few metaphysicians or initiates.

My interpretation of these messages is that they are “options” being offered to the public, coded for those who want to invest in their future via DNA and chakra market-channels.

 

These options are coded and sold lock, stock, and barrel by the Cosmic Command Control centers (CCCs) and are meant for mass-market consumption. Who will buy? Those who buy will evolve to become part of the intergalactic community. These messages and our understanding of them are our IRAs; our Individual Retirement Annuities. They are meant to harmonically compound our knowledge banks daily.

So what these stargates are telling us is that we can expect major changes very soon because fate is playing its hand big time, and very creatively and harmonically at that.

 

My prediction for a timeline is based on the harmonic scale that the crop circles are following, starting at the ninestrand harmonic vibration that began in 1999 and then using the Fibonaci spiral to determine when we will reach 12^th strand DNA as a planet.

 

The Fibonaci spiral is an inherent mathematic and geometry within every living cell. It forms as a spiral and starts with 0 and 1, and then produces the next Fibonacci number by adding the two previous Fibonacci numbers in the following sequence: 0,1,1,2,3,5,8,13, etc.

 

Note that I am only going to use this sequence to determine the manifestation of the new Earth-Mother energies, and not any other event that may also occur during this time. And I venture to say that there will be many, both on the mundane and cosmic levels, including the 2012 “endtime” shift and alignments already spoken of.

In 1999, the crop circles reached a nine-strand DNA chakra frequency.

 

They were activated in England to awaken us to the Earth grid using encoded keys.

 

This is to be my starting point to determine the manifestation of the new Earth-female frequencies only: two years later, in 2001, Lord of the Rings was released and ran for three years; five years from that date, specifically to occur in May of next year (2006), The Da Vinci Code will be released and will probably be the forerunner of eight more years of Earth-centered, goddess-oriented movies.

 

Eight years later, in 2014 – the new Earth mother energy (following a two-year death/rebirth transition from “death consciousness” to “life consciousness”, which will begin around December 21, 2012) will anchor and manifest its higher “female” energies for all to behold, I suspect sometime between May 17 and May 23, 2014.

 

At that time, the last of us who are in “tune” with this frequency, will also incrementally reach 12-strand DNA activation.

The new female energy, manifesting as “Goddess”, will bring in the higher 13-strand vibration for us to “attune” or “atone” to from the Galactic Federation’s midpoint command station, and by the end of another 13 years (2027), we’ll be attuned to the 13^th chakra energy and vibration, and will have open and public contact with the Galactic Federation of Light. While some of us are already having these contacts, the public is not quite ready for prime time.

 

At that time, there will be galactic exchange of a new kind, and those who opened their cosmic bank accounts when the option was still available, will be able to cash in big time.

 

Paydirt will be given new meaning.

 

by Ivan Petricevic
March 15, 2018
from Ancient-Code Website

Italian version

 

Click in above image…

image credit: Leon Tukker

 

• Is it possible that portals, mysterious ‘cosmic bridges’ to other points in the universe exist on Earth?
  

• Do these portals lead to other galaxies and extraterrestrial civilizations?

While this may sound like nothing more than a conspiracy, or tinfoil material, the truth is that many ancient civilizations firmly believed in such things being possible, and many oral legends exist until today, that recount stories of stargates and portals.

A ‘natural stargate’ is similar to an Einstein-Rosen bridge or ‘wormhole‘ which has been theorized to form when space-time is distorted by the intense gravitational fields generated by collapsing stars.

At a singularity point, time would stop as it stretches to infinity as predicted by Albert Einstein‘s General Theory of Relativity.

This would make it possible for anyone able to survive even briefly, the intense gravitational fields accompanying a singularity point, to emerge into whatever future date they desired.

Physicists consider it to be theoretically possible for an Einstein-Rosen bridge to form wherein one could even travel back and forth in time. So a singularity point, at least in theory, offers a means to travel forward or backward in time.

Hierapolis was an ancient city in southwestern Anatolia.

Its ruins are adjacent to modern Pamukkale in Turkey and currently comprise an archaeological museum designated as a UNESCO World Heritage Site.

In March 2013, Italian archaeologists announced that they had unearthed something the ancient Greeks described as a gateway to Hell.

Ancient mankind was fascinated with the underworld. Both the Greeks and the Romans were connected with the realm of Hades and Pluto.

Written history tells the story of travelers who were able to journey to these mysterious places, and access them somehow, allowing them to travel among the Gods.

But…

• Where are these places?

• And are they anything more than a myth?

 

 

Pluto’s Gate

 

 

Pluto’s gate was considered so sacred that only high priests were allowed anywhere near it.

These priests were said to have worshiped a powerful goddess known as Cybele. Cybele is known as the guardian of the gateways, and ancient legends suggest that needed permission from Cybele to move through time and space.

Iconographically, she is often portrayed as standing next to the gate to the other world.

Pluto’s gate is just one of the many mysterious sites described through human history that lead to fascinating and “shocking” places. But perhaps even more interesting is the fact that there are countless stories similar to this one.

In many instances, these gates did not only grant instant passage outside our own planet but even beyond space and time. And according to countless myths, these passages were traversed by otherworldly beings.

Throughout the history of mankind, we know of many stories and legends (even creation myths) of advanced beings who somehow, came from the stars.

 

These beings were referred to as star beings or Gods.

These mysterious star beings are often described as passing through portals or star doors, hence the definition of Stargate.

• But is this only a myth or where ancient cultures onto something?
  

• Can we find evidence of portals and stargates existing on Earth?

According to several authors, a number of locations across the planet exist where ancient cultures built ‘portals and stargates.’

• But why would ancient civilizations build portals or stargates?

• Is it because the gods came to them through similar gates?

• Or, as some authors suggest, are these construction the result of ancient man’s imagination?
  

• Or is there something more to these mysterious Stargates?
  

• Could the Ploutonion be an ancient stargate?

A location on Earth that allowed multidimensional traveling, protected by mysterious priests who possessed technology and knowledge far beyond our own today.

 

 

Let’s travel to South America

At Machu Picchu in Peru located in the Andes mountains, we find the most famous Inca ruins we know of.

 

Hidden away in the southwestern corner of what archaeologists believe was the site’s main plaza we find the Temple of Three Windows.

The temple of the three windows is a stone hall 35 feet long and 14 feet wide containing three trapezoidal windows along one wall. Written texts indicate that the Three Windows were perfectly aligned to let June solstice sunrise come right in at a nearly perfect angle.

 

The building was erected so that the entire structure is oriented to receive the first light as it comes over the mountains through the three windows at the summer solstice, a symbol representing the Incan creation myth.

According to Inca history, the children of the sun god Viracocha stepped into the world through three mysterious openings in a mountain and gave rise to the Incan civilization.

This ancient legend tells that the Ayar Brothers came down through three portals – the windows, to create the Inca people.

 

Furthermore, the temple at Machu Picchu with three windows is said to represent this mysterious event.

• Could this event describe ancient stargate technology for otherworldly visitors coming to Peru?
  

• Through these three windows?
  

• Could this be a description of Stargate travel taking place thousands of years ago?
  

• Is there a mysterious connection between the temple of the Three Windows and the Ploutonion?

• But does science back up the theory of Stargates and portals?

• Or are these ideas nothing more than creation myths created by ancient cultures thousands of years ago?

While working at the Institute for Advanced Study, researchers Albert Einstein and Nathan Rosen publish a groundbreaking idea which brought Portals and Stargates a step closer to reality.

The scientific duo came to the conclusion that the Theory of Relativity allows for shortcuts across the space-time continuum.

These routes, more commonly referred to as Einstein-Rosen bridges or “Wormholes“ have the ability to connect two distant locations, making travel to the most remote stars in the universe a possibility within reach…

 

by William Henry

from WilliamHenry Website

Why are the bearded savior gods of every world religion portrayed as serpents? My research reveals its because they are either revealers of the knowledge of the (star) gates or wormholes leading to the stars, or because they themselves are the actual wormhole.

 

Join me in a survey of artwork displaying a remarkably consistent concept: the gods delivered the knowledge of wormholes, or are the wormholes themselves.

E.A., the standing serpent wave, offers the secret of the stars to a priest

Yahweh is the serpent that curls around the prophets.

His head is at the lower right at the bottom of his column or pillar

Quetzalcoatl, the Mayan “lord of life” and King of Tula being ’consumed’ by a ’serpent’ (left).

Beside him is a statue of the Great Sun Buddha, dating from the 12th century in Cambodia.

He is seated in the coils of a snake.

The parallel between the two ’saviors’ is remarkable.

Both statues suggest a wormhole connection.

Quetzalcoatl was portrayed as a bearded white man

riding an ’ark’ that resembles the Ark of the Covenant.

The Gnostics called this serpent CHNOUBIS or KANOBIS

and said he was the guardian of a 12-angled pyramid with holes that surrounds the Earth.

Are the 12 angles holes in space drilled by this worm?

Plato said if you could see Earth from a far it would appear as a 12-angled pyramid.

Jesus as a serpent-god from bas-relief in Egypt.

This drawing was made by a member of Napoleon’s army in 1798,

one hundred years before the same face appeared to the world ’for the first time ever’

on the photograph of the Shroud of Turin.

“No one has ascended into heaven except the one who descended from heaven, the Son of Man.

And just as Moses lifted up the serpent in the wilderness,

so must the Son of Man be lifted up,

that whoever believes in him may have eternal life.”

“When you have lifted up the Son of Man, then you will realize that I am he.”

In the designs below from Egypt and Europe, the little souls is emerging jubilantly from the mouth of a Serpent (or worm hole). These express the passage “Osiris enters the tail of a great serpent, was drawn through its body and came out through its mouth, and was then born anew.”

 

The story of Jesus/Jonah and the whale mirrors this story.

 

 

Egyptian and Cathar designs.

The passage through the ’wheel or whirl of life’ .

Jesus in the ring.

Hildegard of Bingen.

Alchemical drawing of the serpent, the jar or Grail.

From it a man emerges or exits.

Man, wormhole, goddess.

Jason, the Argo, Athena.

Adam, the Serpent, Eve.

Jesus, the wormhole, Mary Magdalene.

The Mayans tell us that in 2012 a ladder will emerge from

the center of our Milky Way galaxy.  c John Major Jenkins.

The god Nine Wind (who may be Quetzalcoatl) will descend on a ’serpent-rope’

from a sun disk that resembles the symbol for Nibiru.

Jenkins has concluded that the serpent-rope is a wormhole.

I agree.

Babylonian symbol for Sun, Divinity and Nibiru.

Serpent-rope or wormhole from the Codes Vindobonensis.

Are the Mayans telling us that in 2012 a stargate or wormhole will open and that it is connected with Nibiru? Will the figure(s) that emerge from it be the long-awaited Teachers of many of the world’s religions?

Akkadian seal impression (2340-2180 BC) depicting Gilgamesh’s journey

beyond the gates at the end of the Earth guarded by doorkeepers tending ringed (or ringing) posts.

He met Utnapishtim (the Sumerian Noah) at the source of the waters of immortality.

British Museum.